Milo and Otis Essay -- Animals Relationships Papers

Milo and Otis In her book, hotheel Love, Marjorie Garber proposes the idea that fictional works that offer representations of canine tooths are often use non to tell us most dogs, but to tell us about ourselves. The Adventures of Milo and Otis, directed and based on a twaddle by Masanori Hata, stars a pug-nosed puppy that Garber would believe possesses many of the traits we maintain ideal in homosexuals, and also offers several moral truths and social maxims about human society. The ways in which we as humans represent our relationships with dogs are explored in Dog Love. Garber assumes on the role of a cultural tyro by her book, comwork forceting on the role and social value dog representations sacrifice in our society, as represented in various artifacts novels, films, advertisements, etc. She believes that through dog stories we create the ideal human, assigning valued human characteristics to the canine protagonist. She states, The dog becomes the repository of tho se model human properties that we have cynically ceased to muster up among humans (Garber 15). In our society, we no longer turn to our fellow men and women for the embodiment of virtue we instead look to mans beat out friend. Canine tales are becoming an ever-more-popular medium for expression, says Garber Just as the condolence of human love and loss is most effectively retold, in late stories, through the vehicle of the steadfastly loyal and loving dog, so the human hero has increasingly been displaced and replaced by the canine one (44). The spotlight has been shifted from the grand human to the humble family pet and his canine brethren. Stories that feature a dog rather than a person are able to more channelize a deeper sense of meaning, establishing their... ...establishing a home has essentially been transferred from the parent to the kid, and the handed-down home, and consequently family, has all but disappeared in our society. This shift undermines the roles o f the parents, and forces the child to prepare on adult responsibilities at a premature age. We live in an on-the-go day and age where nothing seems to remain constant for any cartridge clip at all, and with this lack of continuity we have lost a capital deal of what was once an integral part of society. The thought of a child ascribing to a home devoid of anything infallible is not a amiable one. If every parent would spare a moment in their busy, fast-paced lives to consider the impact of the dissolution of the traditional home upon our children, we might not need films such as Milo and Otis to instruct our children to split home from the world around them.