James Joyces Araby - The Symbol of the Church in Araby Essay -- Joyce

James Joyces Dubliners - The symbolisation of the church building in Araby Joyces short story Araby is filled with symbolic images of a church. It opens and closes with strong symbols, and in the body of the story, the images be shaped by the young), Irish narrators impressions of the effect the church of Ireland has upon the people of Ire-land. The boy is fiercely determined to assign in someone deep down this Church the piety he feels should be the natural state of all within it, but a chronological sequence of experiences forces him to appear that his determination is in vain. At the climax of the story, when he realizes that his dreams of holiness and love are inconsistent with the actual world, his anger and anguish are directed, not toward the Church, but to-ward himself as a creature driven by vanity. In addition to the images in the story that are symbolic of the Church and its effect upon the people who belong to it, there are descriptive delivery and phrases that add to this representational meaning. The story opens with a description of the Dublin neck of the woods where the boy lives. Strikingly suggestive of a church, the image shows the ineffectuality of the Church as a vital force in the lives of the inhabitants of the neighborhood-the corporate trustful within the Church. North Richmond Street is composed of two rows of houses with brown imperturbable faces (the pews) leading down to the tall un-inhabited house (the empty altar). The boys own denture is set in a garden the natural state of which would be like Paradise, since it contains a central apple tree however, those who should suck up cared for it have allowed it to become desolate, and the central tree stands alone amid a few divert bushes. At dusk when the boy and his companions... ... like Mangans sister-her words are diminutive and worldly. In a sudden flash of insight the boy sees that his faith and his passion have been blind. He sees in the two men ascertain money on a salver a symbol of the moneylenders in the temple. He allows the pennies to fall in his pocket. The lights in the hall go out his church is in darkness. Tears fill his eyes as he sees himself a creature driven and derided by vanity, whose foolish blood made him see secular desires as symbols of true faith. In this moment of disillusionment he feels that he himself is at fault for being so bemused by his ideals that he failed completely to see the world as it is. He has detect in his Church and in love (both traditional symbols of ineffably hallowed loveliness) only a shoddy imitation of true beauty. Understandably his disillusionment causes him anguish and anger.