Entrapment and Confinement :: essays research papers

People encounter restrictions and restraints daily doors, walls, gates. The most frequently utilize and arduous are those that are intangible, be it in a frolic or social life, whether physical or emotional, literal or figurative. some(prenominal) the tangible and intangible are seen in Charlotte Perkins Gilmans The Yellow paper and John Steinbecks The Crysanthemums. Though written by members of the opposite sex, twain authors are able to capture the feelings of physical and emotional imprison manpowert that causes a gradual mental breakdown. The Yellow Wallpaper traces the treatment of a char who descends from depression to nauseatedness in the male-imposed psychiatric confinement of her room, while the wife, Elisa, in The Crysanthemums, reflects an internal struggle with herself to find her place in a human of definite gender roles. The situations of the two women are similar talents and dreams, hopes and desires, shunned by the husbands and multiplication of the women, whi ch leads to hysteria though similar, the women to conduct themselves ways drastically different from genius another, which determines whether the women lose their sanity.The teller in The Yellow Wallpaper and Elisa Allen of The Crysanthemums two have husbands who fancy the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The bank clerks husband also assumes that he knows what is dress hat for his wife. He thinks isolation and confinement will cure her nervous depression. Nevertheless, this cure makes her weak it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband virtually the fights and his immediate reply is, We can go if you want, but I male parentt think you would like them much. He cannot fathom the idea that she whitethorn actually enjoy this non-feminine event.The two women follow the pattern of t hose going mad eventually, they begin to see things and form relationships with the images that reside only in their minds. The narrator gives into the figments of her imagination and begins to metamorphose this thing she imagines behind the wallpaper as a hallucinogenic image of herself. This woman becomes a deadly combination best friend and worst enemy. She views the woman as trapped, and, in order to put down herself from this non-fulfilling life, she must free the woman. Elisa also receives an uninvited guest, a diddle who she perceives as the perfect emblem of freedom.